Following the completion of my internship at Tone Deaf in 2016, I joined The Brag Media in early 2017, at which point my work started to be featured in their regular street press, The Brag.
When The Brag Media acquired the rights to Rolling Stone Australia, my work as the Editor saw me contribute to the magazine frequently until my exit from the company in April 2022, with previously-completed work appearing in a handful of magazines thereafter.
Since embarking upon a career as a freelancer journalist, my work has also featured in a number of other magazines, including Beat, Forte, and The Note. Below, you’ll find links to these magazines (where available), sorted and grouped by publication.
Beat
Following my foray into the world of freelance writing, I began writing for a number of publications including the likes of Beat. I first wrote for the publication in May of 2022, and continue to write for the site as of today.
Below, you’ll find links to the magazines in which some of my writing features.
Below, you’ll find links to the magazines in which some of my writing features, including cover features on the St Kilda Festival, the Brunswick Music Festival, the Melbourne International Comedy Festival, and Dan Sultan for issues #1715, #1716, #1717, and #1720, respectively.
For a full list of the articles I’ve contributed to Beat, check out the dedicated portfolio page.
The Brag
When I entered the world of writing, I began writing for publications such as Tone Deaf and The Brag, with some of my content occasionally showing up in the print version of the latter. My work featured relatively consistently starting with issue #698 on February 1st, 2017, and continued to appear until the street press published its final issue, with issue #749, on March 4th, 2020.
For a full list of the articles I’ve contributed to The Brag, check out the dedicated portfolio page.
Forte
Following my foray into the world of freelance writing, I began writing for a number of publications including the likes of Forte. I first wrote for the publication in October of 2022, and continue to write for the site as of today. Below, you’ll find links to the magazines in which some of my writing features.
For a full list of the articles I’ve contributed to Forte, check out the dedicated portfolio page.
The Music
I might be pushing it when I specifically say ‘print’ or magazines’ here, but following my foray into the world of freelance writing, I began writing for a number of publications including the likes of The Music. I first wrote for the publication in May of 2022, and in September of 2024, I took on a role as the Victorian State Journalist, I and continue to write for the site as of today. Below, you’ll find links to The Music’s weekly digital covers on which my writing features.
For a full list of the articles I’ve contributed to The Music, check out the dedicated portfolio page.
The Note
Following my foray into the world of freelance writing, I began writing for a number of publications including the likes of The Note. I first wrote for the publication in May of 2023, and continue to write for the site as of today.
Below, you’ll find links to the magazines in which some of my writing features, including cover features with Bad//Dreems, Foals, and Private Function for issues #6, #13, and #15, respectively.
For a full list of the articles I’ve contributed to The Note, check out the dedicated portfolio page.
Rolling Stone Australia
In late 2019, I became the Editor of Rolling Stone Australia, and remained in that role until April 2022. Below, you’ll find images of the magazines in which some of my writing features, including my cover features with Sia, Chet Faker, and Daniel Johns for issues #2, #5, and #8, respectively.
For a full list of the articles I’ve contributed to Rolling Stone Australia, check out the dedicated portfolio page.
